Explore original St Ives School paintings for sale from the St Ives School of Abstract and Modern artists online, or visit the Cornish Masters Art Gallery in St Ives. The seeds of St Ives position as Britain's centre of modern art were sown by Ben Nicholson and his wife Barbara Hepworth when they settled there in 1939. An earlier visit to St Ives by Nicholson and Christopher Wood and an encounter with the naive artist and fisherman Alfred Wallis, had a profound impact and influenced Nicholson's later move.  In the late 1940s and early 1950s a group of younger artists gathered around Hepworth and Nicholson and the St Ives School gained critical mass becoming the centre of abstract art in the country. The principal figures of the St Ives School included Peter Lanyon, who was brought up in St Ives, Patrick Heron, Paul Feiler, John WellsTerry Frost, Roger Hilton, Bryan Wynter and Wilhelmina Barns-Graham. During the 1950s there was a degree of cross-fertilisation between the Abstract Expressionists in New York and the St Ives Modernists. In March 1951 works, including Boat by Terry Frost, appeared alongside those by the titans of American Abstract Expressionism in the annual exhibition of Abstract Art in New York. In 1959 Mark Rothko visited Lanyon, Feiler and Frost in Cornwall closely followed by the gallery owner, Bertha Schaefer who gave Frost his first New York one-man show in 1960 (in which Orange and Ochre was sold).

 

A major redevelopment of the Tate St Ives in 2017 has afforded a permanent, dedicated display of the work of this remarkable collective of artists.

  • Red Serpentine (1961) by Alexander MacKenzie
    Alexander MacKenzie
    Red Serpentine, 1961
    Oil on panel
    49 x 23.5cm (19 x 9 ins.)
    Framed: 66cm x 39.7cm (26 x 15.6 ins.)
  • Ship entering harbour by Alfred Wallis, c. 1930
    Alfred Wallis
    Ship entering harbour, c. 1930
    Oil and graphite on card
    27 x 33.5 cm (10 1/2 x 13 1/4 ins.)
    Framed: 41.5 by 48 cm (16 3/8 by 18 7/8 ins.)
    Sold
  • Sailing Boats Racing to Harbour by Alfred Wallis
    Alfred Wallis
    Sailing Boats Racing to Harbour, c 1940
    Oil and graphite on card
    19 x 30.3cm (7 1/2 x 12ins.)
    Framed: 26.7 x 42.6cm (10 1/2 x 16 3/4ins.)
  • Lightfall (1960) by Bryan Wynter
    Bryan Wynter
    Lightfall, 1960
    Oil on canvas
    152.5 x 76 cm (60 x 30 ins.)
    Framed: 153.7 x 77.5 cm (60 1/2 x 30 1/2 ins.)
  • The Cove (1926) by Christopher Wood
    Christopher Wood
    The Cove, 1926
    Oil on canvas
    23 x 28.1 cm (9 x 11 ins.)
    Framed: 36 x 41 cm (14.2 x 16.1 ins.)
    Sold
  • Landscape Elements (1960) by John Wells
    John Wells
    Landscape Elements, 1960
    Oil on board
    60.8 x 129.5cm (23 7/8 x 51 ins.)
    Framed: 68.8 x 137.5cm (27 x 54 1/8 ins.)
  • Floating Forms Blue
    Paul Feiler
    Floating Forms Blue, 1963-64
    Oil on canvas
    46 x 56 cm (18.1 x 22 ins)
    Framed: 61.5 x 71.9 cm (24.2 x 28.3 ins)
  • Landing Stage Falmouth
    Paul Feiler
    Landing Stage Falmouth, 1951
    Oil on canvas board
    30.5 x 51 cm (12 x 20 ins.)
    Framed: 45.2 x 66.5 cm (17 3/4 x 26 1/4 ins.)
  • Peter Lanyon - Three Nudes, 1954
    Peter Lanyon
    Three Nudes, 1954
    Charcoal on paper
    54 x 73.5 cm (21 1/4 x 28 15/16 ins.)
    Framed: 74.9 x 100.4 cm (29 1/2 x 39 1/2 ins.)
  • Porthledden 1960 by Paul Feiler
    Paul Feiler
    Porthledden, May 1960
    Oil on canvas
    61 cm x 102 cm (24 x 40.1 ins.)
    Framed: 81 cm x 122 cm (31.9 x 48 ins.)
  • Untitled. Lost painting 6 by Michael Canney
    Michael Canney
    Untitled, Lost painting 6, c. 1985
    Alkyd oil on canvas fixed to board
    67.5 x 50.5 cm (26.6 x 19.9 ins)
    Framed: 85.8 x 68.3 cm (33.8 x 26.9 ins)
  • Red and Black Verticals, 1959 - Painting by Terry Frost
    Terry Frost
    Red and Black Verticals, 1959
    Oil on canvas
    127 x 76.2 cm (50 x 30 ins)
    Framed: 134 x 84 cm (52.8 x 33 ins)
  • Land and Sea
    John Wells
    Land and Sea, 1956
    Oil on panel
    19.1 x 80 cm (7.5in x 31.5 ins)
    Framed: 29 x 89.8 cm (10.6 x 35 ins)
  • Divided: Red and Orange
    Adrian Heath
    Divided: Red and Orange, 1963
    Oil on canvas
    173 x 183 cm (68.1 x 72 ins) 
    Framed: 179 x 189 cm (70.5 x 74.4 ins)
  • Road to St Ives by Peter Lanyon
    Peter Lanyon
    The Road to St Ives, 1938
    Oil on panel
    33cm x 40.8cm (13 x 16 ins)
    Framed: 54.1 cm x 61.5cm (21.3 x 24.2 ins)
  • Boat (1950) - Painting by Terry Frost
    Terry Frost
    Boat, 1950
    Oil on canvas
    71.4 x 91.5cm (28 1/8 x 36ins.)
    Framed: 93.4 x 113.5cm ( 37 1/8 x 44 11/16ins.)
  • Blue and Brown Composition by Michael Canney
    Michael Canney
    Blue and Brown Composition
    Alkyd oil paint on board
    29.5 x 29.5 cm (11.6 x 11.6 ins)
    Framed: 45.6 x 45.6 cm (18.0 x 18.0 ins)
  • Wild Overcast 1962 by Trevor Bell
    Trevor Bell
    Wild Overcast, 1962
    Oil on paper
    56 x 76 cm (22 x 30 ins)
    Framed: 66.5 x 86.5 cm (26.2 x 34.2 ins)
  • Oval Blue Squeeze - Painting by Terry Frost
    Terry Frost
    Oval Blue Squeeze, 2003
    Acrylic and collage on canvas
    76 cm x 137 cm (30 ins x 54 ins)
    Framed 87.8 x 148 cm (34 1/2 x 58 1/4 ins)
  • Orange and Ochre. Painting by Terry Frost
    Terry Frost
    Orange and Ochre, 1959
    Oil on canvas
    63.5 x 76 cm (25 by 30 ins.)
    Framed: 67.9 x 80.6 cm (26.7 by 31.7 ins.)
  • Movement study, 1951 by Terry Frost
    Terry Frost
    Movement, study, 1951
    Watercolour, bodycolour and charcoal
    22.8 x 20.3 cm (9 x 8 ins)
    Framed: 44.8 x 41.7 cm (17.6 x 16.4 ins)
  • Composition 1978 by Adrian Heath
    Adrian Heath
    Composition 1978
    Mixed media on paper
    31cm x 27 cm (12.2in x 10.6 ins)
    Framed: 48 x 44.8 cm (18.9 x 17.6 ins)